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History Class 8 Chapter 10 Question Answer Solutions
Make your learning experience enjoyable by preparing from the quick links available on this page. Use the Class 8 SST History Chapter 10 NCERT Solutions and get to know different concepts involved. All the Solutions are covered as per the latest syllabus guidelines. Knowing the NCERT Class 8 History Chapter 10 Questions and Answers helps students to attempt the exam with confidence.
The Changing World of Visual Arts Class 8 Questions Answers
Let’s Recall
Question 1.
Fill in the blanks.
(а) The art form which observed carefully and tried to capture exactly what the eye saw is called ………….
(b) The style of painting which showed Indian landscape as a quaint, unexplored land is called ………….
(c) Paintings which showed the social lives of Europeans in India are called …………..
(d) Paintings which depicted scenes from British imperial history and their victories are called ………….
Answer:
(c) portrait
(b) Picturesque
(c) Engravings
(d) History paintings
Question 2.
Point out which of the following were brought in with British art:
(a) oil painting
(b) miniatures
(c) life-size portrait painting
(d) use of perspective
(e) mural art
Answer:
(a) oil painting
(b) Life-size portrait painting
Question 3.
Describe in your own words one painting from this chapter which suggests that the British were more powerful than Indians. How does the artist depict this?
Answer:
This picture is depiction of the storming of Seringapatam painted by Rober Kerr Porter. It is showing the defeat of Tipu Sultan by the British troops. It is painting in which the British is shown as powerful winners and Indians as the vanquished. The dramatization of the painting is effective in carrying out the message.
Question 4.
Why did the scroll painters and potters came to Kalighat? Why did they begin to paint new themes?
Answer:
Due to continuous expansion of cities as the centre of commercial development, the scroll painters and potters moved to Kalighat in search of new opportunities. They began to point new themes because values, tastes, social norms and customs were undergoing through fast changes after the 1840’s. The changes were understandable for the scroll painters and potters so they responded immediately with the changes and had started painting on whole new themes of social and political issue of the society.
Question 5.
Why can we think of Raja Ravi Varma’s paintings as national?
Answer:
Raja Ravi Varma’s paintings can be considered as national in many senses. Ravi Varma, who belonged to the family of the Maharajas of Travancore in Kerala, had mostly used the western art of oil painting and realistic life study but then also he painted themes from Indian mythology. He dramatised on canvas scene after scene from the Ramayana and the Mahabharata. From 1880’s, Ravi Varma’s mythological paintings became the rage among Indian princes and art collectors, who filled their palaces and galleries with his art. These facts make us think of his paintings as national.
Let’s Discuss
Question 6.
In what way did the British history paintings in India reflect the attitudes of imperial conquerors?
Answer:
The British history paintings in India reflect the attitude of imperial conquerors as the British victories in India served as rich material for history painters. The painters painted favourable image of the British as conquerors. The paintings celebrated within itself British power, victories and their supremacy. One of the Ist of these paintings was produced by Francis Hayman in 1762 that showed how the British defeated Sirajuddaulah in the famous Battle of Plassey. The painting by Hayman does not show the act of aggression and conquest.
Question 7.
Why do you think some artists wanted to develop a national style of art?
Answer:
Some artists reflected the art of Ravi Varma as initiative and westernised and declared that such a style was unsuitable for depicting the nations ancient myths and legends. These artists felt that a genius Indian style of painting had to draw inspiration from non-western art traditions, and try to capture the spiritual essence of the past. So they turned for the medieval Indian traditions of miniature paintings and the ancient art of mural paintings in the Ajanta caves.
Question 8.
Why did some artists produce cheap popular prints? What influence would such prints have had on the minds of people who looked at them?
Answer:
The cheap popular prints were produced for the poor so that they could buy them. The print influenced the minds of those who saw them in mixed manner. Some saw the prints as sentimental, for some spiritualism could not be seen as the central feature of the Indian culture.
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